A few years later, however, the art historian Giovanni Morelli and others contested the attribution, seeing the painting as “ruined by restoration”. The work had been acquired in 1846 and its attribution to Andrea Mantegna was confirmed by Charles Eastlake, the first director of London’s National Gallery. In May it was announced that the curator Giovanni Valagussa had re-examined the Accademia’s forgotten panel of the Resurrection of Christ (around 1492-93) and found it to be an original Mantegna. The €40,000 restoration, sponsored by the Rotary Club of Bergamo South, will remain public throughout September and is expected to continue until November. On Wednesdays and Saturdays since early August, visitors to the Accademia Carrara in Bergamo have been able to watch conservator Delfina Fagnani at work on its “new” Mantegna. Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,Īnecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week. Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Ora-Ora announces new representation of three artists, William Lim, Henry Chu, and Genesis KaiĮva Respini appointed Deputy Director & Director of Curatorial Programs at Vancouver Art Gallery 'The Half-God of Rainfall' review: Basketball under the heavens 'Let's Call Her Patty' review: Unseen depths of an Uptown matriarch Review: In 'Amour,' putting a Palme d'Or winner onstage R² Rūsiņš Rozīte has on show 'Exhibition from The Generation cycle' Works by Agnes Pelton and Edmonia Lewis among Colby College Museum of Art's newest acquisitions 'Eco Tone' by Courtney Egan and Natori Green now on view at Knoxville Museum of Art Mario Ayala included in Sitting on Chrome at SFMOMA How mid-twentieth century American culture was powerfully shaped by commercial dictates of Rockwell imagery James Fuentes opens Stipan Tadić's exhibition '36 Views of NYC' Gagosian exhibits three early paintings by Andy Warhol from 1963Įdward Sexton, bespoke tailor of rock 'n' roll, dies at 80 University of Richmond welcomes Issa Lampe as new executive director of University MuseumsĮxhibition at Chemould Prescott Road unearths urban narratives through the works of several artists Venice faces an unwelcome honor: Joining the endangered places list Ground-breaking book 'Ways of Seeing' by John Berger inspires exhibition at Bo Lee and Workman Kunsthaus Zürich launches 'ReCollect!' - How artists see the Kunsthaus CollectionĪ stairway to nowhere sells for $32,000 in London The price of admission to America's museums keeps risingĪt the Roosevelt Library, an unflinching look at race He moved permanently to Mantua in 1459 and aside from a brief stay in Rome, remained with the Gonzaga family for more than 40 years. In the mid-1450s Mantegna was invited to Mantua to be the court artist for Ludovico III Gonzaga, Marquis of Mantua. In 1453 he married the daughter of the celebrated Renaissance artist Jacopo Bellini, whose influence can clearly be seen in Mantegna’s work. At an early age he attracted the praise of artists and writers of the day, winning important commissions in and around Padua. He was born near Vicenza in northern Italy in 1430/31 and raised in the enlightened and humanist circles of Padua. A master of perspective and foreshortening, Mantegna made important contributions to the compositional techniques of early Italian Renaissance painting. The final bid of $25.5 million was made by George Wachter, Vice Chairman of Sotheby’s North and South America and Co-Chairman of the Worldwide Old Master’s Department, who was executing a bid on behalf of an anonymous buyer on the telephone.Īndrea Mantegna (1430/31-1506) has been heralded as the most important northern Italian painter of the Renaissance. There were at least three bidders participating up to the low estimate of $20 million, and then two phone bidders battled from there. The remarkable appeal of this masterpiece elicited wide attention and, in a testament to the strength of the market, attracted four bidders willing to compete above $15 million, two of whom had never competed at that level before.” Henry Wyndham, Chairman of Sotheby’s Europe and today’s auctioneer, opened the bidding at $14 million. Christopher Apostle, Director of Sotheby’s Old Master Paintings department in New York, said: “We are thrilled with the record price achieved for this extraordinary painting. The painting had been estimated to sell for $20/30 million. Painted circa 1492, this masterpiece of Renaissance art depicts the episode of Christ descending into Limbo to liberate the souls of the righteous who had predeceased him. NEW YORK.- In a packed salesroom at Sotheby’s today, one of the greatest Old Master paintings remaining in private hands, Andrea Mantegna’s Descent into Limbo sold for $28,568,000, a record for the artist at auction.
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