The brief moment at 1:49, where everything else drops out, leaving drummer Steve Shelley – a talent sometimes under-appreciated in the rush to praise the band’s radical approach to guitar playing – thundering away is just fantastic. You can hear the influence of grunge on the riff of 100%, a feedback-strafed eulogy for murdered friend Joe Cole. The lengthy intro is sublime the deft switches from something approaching straightforward alt-rock to explosions of noisy avant guitar are stunning. The lyrics of Candle defy explication – look online and you can find people suggesting they’re about everything from the purity of love to crystal meth addiction – but it hardly matters. The Manson murders had hung over rock music for 15 years by the time Sonic Youth recorded Death Valley ’69, a ferocious, viscerally powerful song written from the fractured point of view of a Manson Family member: the bloody, zero-budget video – by transgressive director Richard Kern – is the perfect accompaniment. Sonic Youth’s response to 9/11 offers a simple but affecting plea for unity in the face of horror: “Gather round, gather friend, never fear, never again.” The music, meanwhile, evokes the ghosts of New York’s past: there are moments where the guitars entwine around each other in a way that distinctly recalls Television. Sonic Youth at Pukkelpop festival, Belgium, 1991. Its understated power is exemplified by the languid, Pavement-influenced Sweet Shine, disrupted by Gordon’s sudden shift to throat-shredding howl midway through. Sweet Shine (1994)Īpparently recorded over the master tape of 1987’s Sister, Experimental Jet Set, Trash and No Star was a defiantly subdued, refusenik gesture in the wake of the post-Nirvana alt-rock gold rush. As Anti-Orgasm grippingly proves – spiky, clashing guitars heaving, monotonal riff beautiful, off-beam coda – it couldn’t have been the work of anyone else. Sonic Youth’s final album, The Eternal, might have been the most straightforward they ever released, but then again, that’s a relative term. It starts out like jerky post-punk funk, then suddenly transforms: an unsettling Kim Gordon monologue over brooding, tense, detuned guitar noise. Thrillingly, you can almost hear the band finding themselves as Shaking Hell plays. I'll keep this updated as long as I can.Sonic Youth’s first full album, Confusion Is Sex, was an abrasive leap forward from their awkward, half-formed debut EP. I'm a bot working hard to help Redditors find related videos to watch. (1) Daughter - Alone / With You (2) Daughter - “Doing The Right Thing” (3) Daughter - Medicine lyricsĠ - hmmm maybe Daughter? here's a few songs of theirs: Alone / With You Doing the Right Thing Medicine +1 - Opium by Marcy Playground immediately comes to mind, even starts with a soft exhale as well. +1 - She Wants Revenge maybe honestly look for a post-punk playlist, a lot of Joy Division-inspired bands try to have as monotone of vocals as possible +1 - primal scream - you're just dead skin to me Primal Scream - You're Just Dead Skin To Me (1) Glen Hansard - Philander (2) Nick Drake - Things behind the sun +1 - Best I could come up with Babygirl - Overbored Now, Now - Prehistoric LSD and the search for god - Starting over (1) Babygirl - Overbored (2) Now, Now - Prehistoric (3) LSD and the Search for God - Starting Over +1 - If you like Mazzy Star give the Cowboy Junkies a listen, too. I'll see if I can find something closer.Ĭigarettes After Sex - Nothing's Gonna Hurt You Baby Meanwhile, listen to some Mazzy Star if you've never heard it. I'm going to dig a bit into some more obscure stuff for something closer to what I think you mean. +4 - Superstar always reminds me of Zodiac, which reminds me of Donovan's "Hurdy Gurdy Man." Also Eliiott Smith gets kind of close to apathetic/ tired sounding, although he's really just got a very calm, sad way of singing: (1) Donovan - Hurdy Gurdy Man - 1968 (2) Elliott Smith: "Angeles" (3) Elliott Smith - Miss Misery Live On Piano Videos in this thread: Watch Playlist ▶ VIDEO
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